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1000 WORDS

View of "Tohé Commaret: Mijitas," 2026, Spike Island, Bristol. Photo: Rob Harris.
The artist and filmmaker introduces "Mijitas," her new exhibition at Spike Island, Bristol
Nalini Malani, Of Woman Born, 2026, nine-channel iPad Animation Chamber, sound, dimensions variable. Installation view, Magazzini del Sale, Venice, 2026.
Malani layers mythology, war, and colonial history at the Magazzini del Sale during the Venice Biennale
Dark installation view of Alexandre Estrela’s RedSkyFalls at the Portugal Pavilion, with small illuminated screens and projected images of animal-like forms set against a large mountain landscape projection inside Fondaco Marcello, Venice.
At Venice's Portuguese pavilion, planetary tremors drive a mise-en-scène of animal intuition and machine perception
A grassy field with a circular installation in the middle, trees in the background, and a cloudy sky overhead.
"I’ve always challenged the supremacy of sight in the arts"
The German pavilion's symmetrical façade, tall rectangular columns, central entrance door, and graffiti on side walls, surrounded by trees and steps leading up.
Sung Tieu on turning the German Pavilion's exterior into a graffitied housing complex.
Lucy Sante, Haussmann, or the Barricades, 1979, collage, 7 x 10 1/2".
The writer and artist discusses her visual work, on view at New York's American Academy of Arts and Letters
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